Noir Synthétique
Retro Mechanical Labs (RML FX) - EFC Custom (Electrun Fuzz Custom High Gain Distortion)
Retro Mechanical Labs (RML FX) - EFC Custom (Electrun Fuzz Custom High Gain Distortion)
Couldn't load pickup availability
**FREE SHIPPING IN CANADA**
Prices include taxes! Contact us if out of stock!
----> Standalone device, also compatible with Eurorack 3.55mm connectors <----
The Electron Fuzz “Custom” is an extremely high gain distortion. Seriously, normal volume setting is at about 10% of its full output potential. Two gain/tone controls “Hurt” and “Pain” give a variety of tone textures and a feedback noise loop can be adjusted to add a very gritty almost 8-bit sound or a squelching scream. (Great for droning or well crafted solos and recording). The extra stomp switch adds 2 more additional gain stages and a boost of high end to the sound. Best of all the distortion oscillates when notes are held adding a new level of expression.
Brief history
From an old news reel:
…Once only rumored to have existed, archeologists recently unearthed the original
Electron Fuzz at the site of the worlds worst nuclear disaster.
On December 23, 1949 nuclear engineers in charge of reactor safety were distracted when one of them built a guitar pedal from parts of the main reactor control panel. This guitar pedal caused massive distortion. …and later lead to massive unimaginable destruction.
”We simply got distracted while playing guitar and forget what we were supposed to be doing.”
The only survivor was also quoted saying “The sound was worth it”.
Since then, this device lay buried under a pile of rubble and nuclear fallout. After years of pain staking hard work the Electron Fuzz has been recovered and fully restored.
We can finally hear the sound that caused that unforgettable massive apocalyptic day of destruction.
The Electron Fuzz is a brutal distortion pedal that uses parasitic frequency oscillation to create changing overtones when notes are played and held. With the x1000 gain boost it can be pushed well into unusable ranges and can get incredibly loud. An adjustable feedback loop can be turned on and off for additional noise mangling. Reducing output gain also increases saturation, smoothing out harsher frequencies. It features a low cut toggle, true bypass.
Highlights:
- Fuzzy to crunchy tone
- Wide range of possible textures and character
- Expressive distortion oscillations
- Feedback noise loop for unusual sound design
- Extremely high gain for recording direct to your DAW
- Use with guitars and keyboards
- VU meter responds to your playing
The red LED on the radio tower switches on when boost mode is enabled. A convent way to know where you are when playing.
• Knob controls:
A unique approach to tone control…
Hurt: Controls the gain of 3rd gain stage. Lowering the gain will also reduce low end.
Pain: Controls the gain of the 2nd transistor gain stage. Lowering the gain will reduce high end.
Output: Volume/saturation. Take some of the edge off the mix or crank the pain and hurt all the way for a big, dirty, crunchy fuzz.
FB Noise: On/Off adjusts the amount of feedback in the circuit for noise making. Creates a weird octave mod fx.
• Switch controls:
Low cut toggle: Cuts the low end for a slightly less bassy more gated sound.
x1000 gain: On left stomp switch. This takes your sound through an addition 2 transistor gain stages and pushes the electrons way past 11! The booster switch adds a loud and dirty, thrash crunch to this versatile pedal. Incredible for feedback noise and FX textures. Can cause the parasitic frequency oscillation but sounds awesome while playing.
True Bypass: Lets you play through the pedal.
• Meter: Responds to your playing, and reflects first gain stage transistor distortion. Illuminates when active.
More info here.
Share
